It’s Mercury prize time again. From the Guardian:
Florence and the Machine, Kasabian and Bat for Lashes are the favourites to walk away with the £20,000 prize, voted for by a panel of critics and music industry figures. Synth-pop duo La Roux and Scottish indie-rock quartet Glasvegas are also hotly tipped.
Among the lesser-known artists are south London rapper Speech Debelle and art-rock trio the Invisible, while eccentric quintet Led Bib and folk group Sweet Billy Pilgrim make up the more leftfield nominations.
Cue much chat of ‘oh it’s so over-commericalised now quoff quoff’ from the arrogant classes. Regardless of what you think, why not take a minute to go over the nominated albums, eight of which are available on Spotify.
Telegraph blogs editor Shane Richmond has put them together in a playlist. If Glasvegas win, I’ll… well… I don’t know what I’ll do. Something drastic, probably.
Update: Eamonn Forde at The Times is worried that Spotify will put him, and other music critics like him, out of job. Indeed it’s true – impressive as a Mercury prize may be, the ultimate judge of how good the nominated albums are is how they feel in our ears.




This news has been knocking around for a bit – but it looks like Spotify’s move to the States is gaining traction.
Every year, the
And now for a post from the blindingly useful department.
Spotify in America: what we know so far
Of course you’ve heard. It’s everywhere. To save you the effort of going through the waffle, here’s a little round up of what we know so far.
The original story (I believe), came from the Observer:
So far, so good.
And what about Microsoft’s little project? From the brilliant ReadWriteWeb:
PaidContent – who tend to focus on finance rather than fun – identifies the US move as a crucial point in the start-up’s short history:
If it’s done right, Ek’s a millionnaire. Done wrong, and he’s in the dole queue, it seems.